Attitude Towards Women Fathers and Sons Essay Example for Free

Attitude Towards Women Fathers and Sons Essay To analyze the attitudes towards the women question and the most useful starting point would be to look at the representation of the liberated woman, Yevdoxia Kukshina, which can be contrasted with the representation of Bazarov’s mother or Nikolai Kirsanov’s wife, the women ideals of the older generation. Kukshina is clearly meant to the representative of the radicalism of the 1850s to1860s, â€Å"the progressive, advanced or educated woman : nigilistka or nihilist woman† (Richard Stites). She has ‘vowed to defend the rights of women to the last drop of my blood’ and is scornful of Sand ‘an out of date woman’. She has separated from her husband and plans to go abroad to study in Paris and Heildelberg. She thus, personifies the emergence of new objectives and tactics among the Russian emancipees of the early 1860s. However, it is also quite obvious that while much has been written about Turgenev’s attitude towards his nihilist hero, there is no doubt that the female nihilist Kukshina is an unflattering caricature and as Walter Smyrniw quotes â€Å"Turgenev has deliberately portrayed Kukshina as a ludicrous and repulsive emancipee.† Walter goes on to argue that in his portrayal of Kukshina, Turgenev lampooned only certain undesirable tendencies generated by Russian emancipees. The worst among them was a lack of genuine involvement, an inadequate commitment to the movement itself. Some merely assumed the roles of the emancipated women and hence their behaviour was both contrived and unnatural. Although many critics have argued along the same lines of Turgenev’s portrayal of Kukshina as a device for irony â€Å"the progressive louse which Turgenev combed out of Russian reality† (Dostoevsky) and that he has assumed the same sentiment in respect to Russian men who merely assumed the pose of materialists and nihilists (eg. Sitnikov), it is hard to escape that in the description of her person and household we find some of the stereotyping of radical women found in most conservative writing. He did not hesitate in expressing value judgments when ridiculing the pretentiousness and hypocrisy of Russian women who merely played the role of emancipees. She is dirty and slovenly in her habits and person, her room is scattered and dusty, her hair disheveled and her dress crumpled. Moreover, her conversation and behaviour is meant to ‘show’ us that her radicalism is shallow and unaffected. The narrator ‘tells’ us that she greets her guests with a string of questions without waiting for answers. It is important to notice here the narrator’s generalization here, which would seem to impute lack of serious concern (feminine casualness) to all women as part of their feminine nature and not to Kukshina as an individual. The narrator draws repeated attention to Kukshina’s unattractive physical appearance almost as if that were partly her fault. Kukshina is unfortunate enough to show her gums above her top teeth when she laughs and her piano playing revels her flat-cut fingernails. However, what is most significant in terms of the dominant patriarchal ideology of the mid-nineteenth century Russia is her declaration, â€Å"I’m free, I have no children.† From a conservative perspective, this would count as near sacrilegious statement. Though Bazarov himself is a serious character, its possible to read Sitnikov as a parody of the younger generation. At Madame Kukshins, the narrator tells us To Sitnikov the chance to be scathing and express contempt was the most agreeable of sensations (13.44).

Optical Mice :: Free Essay Writer

Optical Mice School of Polytechnic Studies Department of Industrial & Engineering Technology COMPUTER PERIPHERALS A mouse is a device, or computer peripheral, lets a user control a cursor that allows data to be manipulated without having to use complicated keyboard commands. The mouse, though probably named mouse because of its appearance, was originally called an X0Y Position Indicator. Douglas Englebart, who worked for Stanford Research Institute, in 1963, invented the mouse, as we know today. The device didn’t become widely used an appreciated until 1973, when Xerox applied it to their Alto computer system. The mouse was also widely used in Apple computers and is now found on every computer today (Computer Hardware, www.computerhope.com/help/mouse.htm). If you look to the diagram to the right, you will see four parts track an optical-mechanical mouse’s X-Y position movement. When the mouse is moved the ball moves in the direction of the movement. When the roller rotates, light shines through the openings. This light is detected by two light sensors, which send signals to the computer of the movement. The offset of the light that the sensors receive determines the direction of each axis. So that motion is detected, the ball needs traction between the ball and the rollers, which is a major drawback to this design. A pure optical mouse works a little differently. Optical Mice need special grids that the sensor inside of the mice needs to see to negotiate motion. When this kind of mouse moves over this grid light from an LED or laser passes over the grid and the lines seen by the sensor. Optical mice are much more accurate judging motion than the ordinary optical mechanical mouse. One drawback to pure optical mice is that they might run into problems with bright lights (Computer Hardware, www.computerhope.com/help/mouse.htm). Optical mice, technologically more advanced and more accurate than ordinary mice, carry a hi-tech price. The average optical mouse runs from $30 to $100. Since a simpler and cheaper peripherals exist, optical mice aren’t used on a wide variety of systems yet. According to PC Data, no optical mice made it into the top 20 sellers list in any given month (ABCNEWS.com). Recently, though, Microsoft has introduced an optical mouse that can be used without grids on any surface. This new mouse has a camera that can take up to 1,500 images per second and has a high enough resolution to read even fibers in a blank sheet of paper (ABCNEWS.

Slimaxes or anticlimaxes in Enduring Love Essay

Another climax begins at the end of chapter 21 with a phone call between Jed and Joe â€Å"I’m putting her on, OK? Are you there? Joe? Are you there?† Here McEwan uses juxtaposition of beginning an event within the formal closure of a chapter. The effect of this adds suspense to the novel as a whole as it wills the reader to follow the chain of events. Also, the panicked dialogue of â€Å"Are you there? Joe? Are you there?† heightens the climax by leaving it unresolved. McEwan continually references â€Å"sweat† in chapter 22 showing the physical exertion in each of the characters â€Å"sweat was beading on his forehead† illustrates the tension between Jed, Joe and Clarissa. Each reference to sweat made by McEwan reveals a subtle increase in the volume, beginning with â€Å"beading† ending with â€Å"rolling off Parry†. This is reflective of the tension of the climax as it builds up.Clarissa is given a voice in this chapter which shows how frightened she is but also reveals more about Joe’s character. The novel is told through the narrative perspective of Joe Rose, therefore Clarissa’s dialogue is under his control meaning that Joe is in full control of her voice and is able to dictate how the reader perceives her. Her small voice reveals that Joe sees her in as vulnerable. This portrays to the reader, Clarissa as a victim of both the situation and the narrative, creating sympathy for her within the climax. This is significant becauseit adds an alternate perspective to the novel. The sympathy created here is later emphasised in chapter 23 in which Clarissa finally gets an undistorted voice.McEwan continually uses sense in chapter22 which makes the scene more dramatic adding to the climax and is implies a rush of adrenaline which heightens the senses. The description â€Å"she was still, but ripples of muscle and tendon at the base of her neck suggested that she was coiled† â€Å"I could hear my heart under my shirt† adds to the tension of the chapter which makes this particular climax significant as it creates a vivid image for the reader. Most of McEwan’s description revolves around tension, of the situation, of muscles; this subsequently builds tension within the reader, adding to the anticipation of the climax. As the novel draws to a close,McEwan finally clears the mystery of Jed Parry’s nature. This is significant to the climax as it dramatically changes the reader’sperspective on Jed, and perhaps the entirety of the novel. In Chapter 22, Jed is revealed to be a harmless soul, not at all a treat. All Jed wants is forgiveness from  Joe â€Å"please forgive me, Joe, for what I did yesterday† which in a way acts as an anticlimax as the novel builds Jed up to be a harmful man with a ve ndetta,yet in actuality, all he wants is forgiveness. Joe is insistent on playing the hero, but is portrayed as being petrified of using a gun. Clarissa doesn’t seem to be pleased that Joe wanted to play the hero, nor does she see him as a hero which dulls the poignancy of the climax. Also Joe  seems to be playing the anti-hero and Jed, the anti-terrorist. This is significant to the novel as it is juxtaposed to the stereotypical thriller/romancewhich the novel  partially aims towards.

Metaphysical Poetry By John Donne - 1590 Words

Feras Mohammed Awaga Grade 11 B Metaphysical Poetry According to English language, when metaphysical is divided into two words ‘meta’ is defined as after and physical remains as it is. Thus metaphysical means after the physical. The definition above was according to English language, however according to poetry is†¦. Many poets got involved in metaphysical poetry like: Samuel Johnson who wrote his book which is known as ‘’Lives of the Most Eminent English Poets’’, Henry Vaughan, Andrew Marvel, Richard Crashaw, George Herbert and finally who was the main founder, John Donne. John Donne (1572 - 1631), the founder of the Metaphysical school of poetry, lived and wrote during the succeeding reigns of Elizabeth I, James 1 and Charles I. His early life was passed in dissipation and roguery, much occupied with secret love-making, elopement, imprisonment, and lawsuit over his marriage, but he later turned a saintly divine and ended as the illustrious Dean of St. Paul’s Cathedral, London. His poems can be divided into two categories: â€Å"the youthful love lyrics, published after his death as Songs and Sonnets in 1633, and the later sacred verses†, published in 1624 as Devotions upon Emergent Occasions , which show the intense interest Donne took in the spectacle of mortality under the shadow of death, a vision that haunted him perpetually, and inspired the highest flights of his eloquence. John Donne was a metaphysical lyrical poet famous for his use of the metaphysicalShow MoreRelatedMetaphysical Poetry of John Donne1441 Words   |  6 PagesLiterature Mrs. Hendricks November 1, 2012 Literary Analysis of John Donne This examination of John Donne’s metaphysical poetry includes analysis of Donne’s use of topic, structure, scansion, style and theme. John Donne is known as one of the best writers of metaphysical poetry, a genre of poetry that is characterized specifically by themes of knowledge, intellect, and having a somewhat unrecognizable meter or rhyme. Metaphysical poetry forsakes pure and genial nature of other Elizabethan poets. ParadoxRead MoreJohn Donne s Metaphysical Poetry2151 Words   |  9 PagesJohn Donne’s metaphysical poetry is where theology crosses with sexuality. The connection between spiritual love and erotic love becomes apparent. Throughout his whole life Donne found love in everything. In his early life his focus was on the love of women, and then it transitioned to the love of his wife, and ultimately the love of God. His work defines the unity of these contrasting ideals in every man and woman. ‘Batter my Heart’ and ‘The Ecstasyâ⠂¬â„¢ displayed the connection that can be found betweenRead More Metaphysical Conceit in the Poetry of John Donne Essay2129 Words   |  9 PagesMetaphysical Conceit in the Poetry of John Donne      Ã‚  Ã‚   Many of John Donnes poems contain metaphysical conceits and intellectual reasoning to build a deeper understanding of the speakers emotional state. A metaphysical conceit can be defined as an extended, unconventional metaphor between objects that appear to be unrelated. Donne is exceptionally good at creating unusual unions between different elements in order to illustrate his point and form a persuasive argument in his poems. ByRead MoreTHE MAIN FEATURES OF THE METAPHYSICAL POETRY ILLUSTRATED BY JOHN DONNE1637 Words   |  7 PagesFEATURES OF THE METAPHYSICAL POETRY ILLUSTRATED BY JOHN DONNE The term metaphysical poetry is used to describe a certain type of 17th century poetry. Metaphysical poetry is concerned with the whole experience of man. It means that the poetry is about showing knowledge and thoughts from different areas of experience, especially about love, romantic and sensual; about mans relationship with God and about pleasure, learning and art. Metaphysical poems are lyricRead MoreJohn Donne1376 Words   |  6 PagesJohn Donne is the name in English Literature who gave new direction to the literary activities of his age. He is in a sense founded the metaphysical lyric, which was practiced by scare of writers. As Dowden says, â€Å"We are told that in the decline of the greater poetry of the Elizabethan period, a metaphysical school arose and that John Donne was the founder or the first eminent member of this school.† John Donne set up a new tradition in versification by and large Donne must be regarded as an originalRead MoreCharacteristics of Metaphysical Poetry876 Words   |  4 PagesWhat is a metaphysical poem? Metaphysical poetry is concerned with the whole experience of man, but the intelligence, learning and seriousness of the poets means that the poetry is about the profound areas of experience especially - about love, romantic and sensual; about man s relationship with God - the eternal perspective, and, to a less extent, about pleasure, learning and art. Metaphysical poems are lyric poems. They are brief but intense meditations, characterized by striking use of witRead MoreElements Of Metaphysical Poetry1092 Words   |  5 PagesDuring the 1600s, a group of poets created a type of poetry known as metaphysical poetry. Metaphysical poetry is a type of poetry that is devotional and mystical in content; it incorporates intellect, logic, and argument to demonstrate concepts such as love and death. Metaphysical poems have the elements of metaphors, metaphysical conceits, paradoxes, and analogies. Metaphors and metaphysical conceits, a type of extended metaphor, are used to show a connection between two things that are not similarRead MoreThe word Wit has multiple definitions, most of which metaphysical poets use in their distinctive1400 Words   |  6 Pagesdefinitions, most of which metaphysical poets use in their distinctive poetic style. Definitions for wit include: â€Å"the keen perception and cleverly apt expression of those conne ctions between ideas that awaken amusement and pleasure† (Dictionary.com 2014) and â€Å"understanding, intelligence, or sagacity, astuteness† (Dictionary.com 2014). In this paper I will unpack the main features of metaphysical poetry and explore the relevance of wit and conceit in relation to John Donne’s works. FurthermoreRead MoreMetaphysical Poetry1246 Words   |  5 PagesMetaphysical Poetry: Much More Than Wit The two main views of metaphysical poetry, as composed by poets A.E. Housman and T.S. Eliot, are vastly different. Eliot’s view of metaphysical poetry is a very positive and respectful one. He admires the uniqueness of the metaphysical poets when he describes them as â€Å"reflective poets† as opposed to merely intellectual ones. Eliot says they have the ability to â€Å"feel their thought as immediately as the odor of a rose,† compared to the strictly thought-drivenRead MoreAnalysis Of A Valediction Forbidding Mourning 1108 Words   |  5 Pagespoem, A Valediction: Forbidding Mourning, John Donne employs conceit, symbolism, and tone to poetically paint a picture of the true love that exist between a man and his wife. John Donne was born on January22, 1572 to a Catholic family in England. (John Donne Biography) In his twenties Donne spent a lot of money on women, books and traveling. ( John Donne Biography) In 1601 Donne became a member of Parliament and married Anne More. ( John Donne Biography) Neither of the families approved